FILM
The Enchantress and the Nightingale
The Enchantress And The Nightingale lifts two characters from an Armenian folktale, Hazaran Bulbul, to explore the relationship of nurture and destruction between humans and their environment in Suffolk. The result is an abstract depiction of love, neglect, loss, and remorse to convey the urgency of the recent threats to local endangered species, specifically the nightingale.
The piece blends an uncanny mix of contemporary and nostalgia as the Enchantress replays how she failed to save the Nightingale. A libretto evoking folk song, a bass-line inspired by Purcell, and ‘guising’ headdresses situate the story in England. At the same time, the scenes draw from the metamorphosing figures of Francesca Woodman's photography, and the friezes of director Sergei Parajanov. Gestures from Armenian dance are augmented by the Enchantress as she desperately tries to conjure a spell to revive the Nightingale.
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Screenings -
Raveningham Sculpture Trail, Norfolk
Aldeburgh Lookout Gallery, Suffolk
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Seta White — Director, Co-Producer
Cevanne Horrocks-Hopayian — Composer, Film Editor, Co-Producer
Ziazan — ‘Enchantress’ (including vocal)
Orson Gulvanessian — ’Nightingale’
Alexandria Kharibian — Enchantress costume
Shakeh Major Tchilingirian — Armenian Dance Consultation
CAP O'RUSHES
Based on the Suffolk folktale, and made in Suffolk.
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Screenings -
Royal Festival Hall, London Southbank, UK
Raveningham Sculpture Trail, Norfolk, UK
International Conference for Culture, Health & Wellbeing, online
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Cevanne Horrocks-Hopayian - Composer
Tom Hobden — Choreographer
Kate Flurrie — Film Director
Laura Williamson Biggs — Associate Choreographer
Charlotte Arnold — Dancer
Katie Duxbury — Costume Design
Gione Da Silva (Cadenza Films) — Director of Photography
Poetic texts by Cevanne Horrocks-Hopayian and conceived in collaboration with Tom Hobden and Kate Flurrie. The full work was made for Bournemouth Symphony Orchestra’s BSO Resound ensemble, HeadSpace, and the Ensemble Juveníl de Setúbal. Cap O’Rushes was commissioned for the International Conference for Arts, Health & Wellbeing by Arts and Health South West, with Tessa Marchington as Creative Co-Producer, and made possible with with support by Stichting Horizon.
The making of 'Cap O'Rushes'
featuring UNIT, BSO Resound, and HeadSpace
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As part of the opening event for the Culture, Health and Wellbeing International Conference on 21st June 2021, Arts & Health South-West hosted the première for their commission Cap O’Rushes by British award-winning Composer, Cevanne Horrocks-Hopayian.
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Based on the story of Cap O’Rushes, a rare version of a folktale from Suffolk, AHSW and Cevanne worked with three inclusive ensembles BSO Resound, Ensemble Juvenil de Setúbal, and HeadSpace Ensemble to bring her composition to life. Created in lockdown, this premiere provides a timely and extraordinary audio and visual reflection of one daughter’s journey towards reconciliation.
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Set within a contemporary backdrop, social themes of power, identity and personal growth are explored through a heroine’s strategy to resolve a family crisis. Within the framework of three ‘movements’ or ‘acts’ reflecting POWER | EXILE | RECONCILE, each ensemble explored one compositional movement, and through the course of these movements the music charts the narrative’s transition from exile to reunion with brass, strings, percussion and electronic instruments.
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Inspired by gestures, sounds, and imagery of the Cap O’Rushes story, the composition was visually woven together with dance and film footage from UNIT, a collaborative duo consisting of a Choreographer and Film Director.
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Filmed individually and in line with Coronavirus restrictions in the UK and Portugal, the project offered a space for collaboration and creative practice, as well as showcasing the impact inclusive music making can have even within the most challenging of times.
Premiered on 21st June, the digital premiere performance of Cap O’Rushes was a wonderful and inspirational opening to the conference, affirming the power of the arts to connect people across cultures and celebrating and showcasing inclusive approaches to working with people with disabilities to co-create work of a high artistic standard. The premiere supported the 1st day of the International Conference which focused on the role of arts and culture in relation to inequality; community development; global public health and responses to the pandemic; prevention and everyday creativity. The premiere of the composition was also enjoyed on the same day by Make Music Day in celebration of World Music Day.
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The Cap O’Rushes production was made possible with support by Stichting Horizon.
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Cap O'Rushes at the Royal Festival Hall, Southbank, with the London Sinfonietta's SOUND OUT! concert for schools