Cevanne set up pinchpunch with singer Ziazan, artist Martha Orbach and director Seta White to share new work on the first of the month.


She identified an opportunity to reimagine opera for a new audience, one that loves epic storytelling. By collaborating with artists from an early stage, Cevanne wants to change the way that opera is created. She hopes to devise the audio-visual world from the start, rather than the music-text only, to create a stylised language which is fluent across art-forms. 

In just four months, pinchpunch fundraised and created half an hour of opera from scratch for two sold-out nights at the Grimeborn Festival 2018 at the Arcola Theatre, London. Cevanne's first aria was premièred by Ziazan to BBC Radio 3’s drive-time audience on In Tune (shared above, with permission). If you want to subscribe as a patron to pinchpuch, check out the kickstarter page.

Since establishing pinchpunch, Cevanne has written for a new opera company Hera, with a libretto by playwright Sabrina Mahfouz, and for the Birmingham Royal Ballet, which is set to tour again in 2020. She has also written for the Royal Opera House R&D programme with librettist Jessica Walker, testing new material for a gameshow based on the historic witch hunts. 

'Seasons in our World' commissioned by Birmingham Royal Ballet.


Choreography by Laura Day,

Kit Holder, Lachlan Monagan.

Supported by David & Mary Laing.

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Content  ©2018 by Cevanne Horrocks-Hopayian

Backdrop by Martha Orbach for The Evolution of Eve oratorio